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Textiles

Originally a simple discussion of personal fears, this collection embarks on an in-depth analysis of deterioration, both physical and psychological. A long-pondered man-versus-self conflict rages between callous rusting, burning, and tearing and meticulous elegance and polish, personified by elements of the human nervous system.

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Creation of costumes seeks to acknowledge the performative aspect of everyday life, in which each person curates for oneself a protective layer, a heavily embellished “skin” to show the world in place of insecurities and perceived flaws. The laborious physical process of small-scale surface manipulation equates to significant emotional labor invested in fear and in building up a delicate public persona. Yet, suppose one’s capacity for control is eventually diminished? Inevitably, the ruse fails, the ritual collapses, and one’s raw self is laid bare.

 

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Assymetrical decorative mask constructed of sculptural burned yellow velvet, black lace, and bead embellishments. The only eyehole is organically shaped and edged in purple glass beads.
A pair of flowing, semi-sheer pants featuring a burnout velvet neuron pattern, worn by a model with her toe gracefully pointed.
An oversized black wool coat, featuring a large collar and cuffs in burned purple velvet. It is laid flat, open at the front to show the rust dyed patterns on the lining.
A theatrical vest, modeled in three quarter view. The vest features a fluffy, felted pattern of interconnected neurons on a surface of stressed silk organza.
Eyeless decorative mask constructed of burned purple velvet and gold embellishments over black velvet.
A fashion illustration in marker and colored pencil, depicting elements of a dramatic clothing collection with neuron motifs. The concepts show a long, black coat; flowy, sheer pants, a vest, and a full length black dress with one sleeve to the floor.
A decorative mask whose surface is a mosaic of dyed, layered bits of eggshell. Black ribbons can be seen from the back in this three quarter view.
Three abstract crocheted brains arranged like museum artifacts in a row. The middle brain trails wool neurons along the bottom of the composition.
A decorative mask whose surface is a mosaic of dyed, layered bits of eggshell.
An oversized, double-breasted black wool coat, modeled from the front. It features a large collar and cuffs in burned purple velvet, and it is fastened with gold lacing at the front.
A pair of flowing, semi-sheer pants featuring a burnout velvet neuron pattern, modeled from the front.
A theatrical vest laid flat to show the front. The vest features a fluffy, felted pattern of interconnected neurons on a surface of stressed silk organza. Three metal butons secure it in front under a V neckline.
Decorative mask constructed of burned black velvet, embellished all over with gold stitching, resembling a cracked surface. Black lace and gold ribbons surround the face.

Invulnerability Collection

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“All the world's a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts…”

–Wm. Shakespeare, As You Like It

“We are what we pretend to be….”

–Kurt Vonnegut, Mother Night

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Progress of a blue and gray double weave sample. The layers are separated to show the double weave effect.
Progress of a blue and gray double weave sample on the loom. A stick has been inserted to pick up groups of threads to acheive the pattern.
Progress of a blue and gray double weave sample on the loom. A stick has been inserted to pick up groups of threads to acheive the pattern, which includes two gray hearts on a blue background.
A blue and gray sample of double-weave fabric, featuring horizontal stripes, stuffed pockets woven closed, and geometrice designs at the top, including three hearts.
A gray and mint green hand-woven rug with fluffy white stripes is in progress on a floor loom. Stick shuttles with gray and green yarn are positioned on each side of the work-in-progress to be woven into a zig-zag pattern in the middle.
A gray and mint green hand-woven rug is in progress on a floor loom. A stick shuttle with white yarn sits on top of the work-in-progress to be woven into fluffy stripes.
Detail of the process of weaving a gray, mint green, and white rug.
A gray and mint green hand-woven rug with fluffy white stripes is artfully draped on a wood floor.
A gray and mint green hand-woven rug with fluffy white stripes is draped over a bench.
A gray and mint green hand-woven rug with fluffy white stripes is artfully draped on a wood floor.
Plain weave wool square made up of nine rainbow colors cris-crossing each other and forming new colors through opical mixing.
Detail of draped fabric with hand manipulated lace details near the edge. The yarn used in the weaving is dyed with rust for a textural, aged effect.
Detail of draped fabric with hand manipulated lace details near the edge. The yarn used in the weaving is dyed with rust for a textural, aged effect.

Weaving, Practical & Decorative

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©2025 by Kendra Barnowski

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